Show

Company MEK / Muhammed Kaltuk

URBAN LINGO: Father Politics & Last Space – im Rahmen von Breakthrough

As part of Breakthrough – International Breaking Festival, Tanzhaus Zürich presents URBAN LINGO, an evening full of excitement, emotion and top urban dance performances.

Emerging choreographer Muhammed Kaltuk – participant in the newcomer platform SHOW-OFF 2020 at Tanzhaus – presents FATHER POLITICS, his first full-length work, with the accomplished ensemble of Company MEK.

The evening further features Last Space by the award-winning Frantics Dance Company. The four dancers impress with their movement language, which draws on both Breaking and contemporary dance.

FATHER POLITICS – Muhammed Kaltuk & Company MEK
FATHER POLITICS
unmasks the emotionalization of politics and social polarization through political advertising campaigns. From a personal perspective, the young, multinational and diverse ensemble talks about powerlessness in the face of politics and how it is too feel paralized due to lack of representation. The piece by Muhammed Kaltuk and his company MEK is about the energies that are set free when one decides to get involved in politics – and about showing attitude. With coolness and authenticity, MEK represents the new powerful, young, diverse Generation Change on stage.

Last Space – Frantics Dance Company
In Last Space, old memories and the personal stories of the dancers are brought to the surface in a constant stream of events, manifested by the unconscious mind. Thoughts arrive, collapse again, freeze, are prolonged and accelerated, are destroyed and rebuilt again – immersing the spectators in the constant change and fusion brought about by the unique, energetic and yet delicate physicality of the Frantics Dance Company.

  • From 12 years


FATHER POLITICS
Choreography Muhammed Kaltuk
Performance Malin Schuler, Annakatharina Chiedza Spörri, Manuel Janick von Arx, Egon Gerber, Giulia Esposito, Sarafina Beck, Moa Bomolo, Witthawat Tonja
Musical arrangement Tobias Herzog (Clockworked)
Stage & costumes Kevin Peterhans
Dramaturgy Cindy Jänicke
Outside eye Hannah Pfurtschneller
Light concept, technical direction Daniel Tschanz (nuance Veranstaltungstechnik GmbH)
Production management & touring Cindy Jänicke
Photos Laura Gauch

Coproduction Company MEK, Kaserne Basel, COLOURS Festival Stuttgart
Supported by Fachausschuss Tanz und Theater, Kanton Basel-Stadt/Kultur, Kulturelles.bl, Bildung-, Kultur- und Sportdirektion, LANDIS & GYR Foundation, Municipality of Reinach, Anne-Marie Schindler Foundation, Ernst Göhner Foundation, ProHelvetia – Swiss Arts Council, PREMIO and Schreinerei Peterhans, Schibli & Co. AG


Last Space
Concept & choreography Frantics Dance Company
Performance Carlos Aller, Marco di Nardo, Diego de la Rosa, Juan Tirado
Musical arrangement Juan Tirado
Lighting design Giannis Likos
Assistant lighting design Marco di Nardo


Festival Production
Künstlerische Leitung Olivia Hernandez Candelas
Co-Leitung Fabienne Guldimann
Lichttechniker Fabian Amsler
Tontechniker Gabriel Zürcher

Company MEK / Muhammed Kaltuk

Muhammed Kaltuk founded Company MEK in 2017 to provide a strong framework for his art and creativity. The company develops productions that blend Hip-Hop and contemporary dance, cultural, and dance traditions. MEK stands for diversity and has a clear activist as well as artistic voice. Their movement language is strong, powerful, and unique.

FATHER POLITICS – in collaboration with Kaserne Basel and the COLOURS International Dance Festival Stuttgart – explores the powerlessness of politics and is currently on a national and international tour. Kaltuk makes clear statements on issues that concern him and society, addressing themes such as "Toxic Masculinity" at Theater St. Gallen, "Origin" at Luzerner Theater, and "Territories" at Theater Basel.

Choreographer Muhammed Kaltuk was born and raised in Switzerland in a conservative Turkish family. As an effort to break out of his upbringing, Kaltuk made a name for himself in the Swiss Hip Hop scene. At the age of 22 he had his first production experience at a theater and recognized it as a possibility to find his own voice, as a way to artistically deal with the world. At the age of 25 he started his dance education at the “Höhere Fachschule für Zeitgenössischen und Urbanen Bühnentanz” in Zurich. His goal was to further develop his movement from his background in Hip Hop, but also to get to know and use other dance qualities and styles. That is where he discovered his passion for composing and creating material from the movement repertoire of the dancers he works with, expanding the boundaries of these dancers and intertwining it with his own style and aesthetic ideas of dance. This has become his signature way of working as well as the socially critical, political and personal themes in his creations.

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